My work explores Jewish communication, ritual, and storytelling through material culture and craft. I create physical objects that engage with both historical tradition and personal experience, treating material as a bridge between past and present. Whether working with ceramics, textiles, paper, or something else, I am drawn to the tactile nature of making—how the physicality of an object carries meaning beyond words.
 

At the heart of my practice is an interest in how Jewish narratives are preserved, adapted, and embodied. I investigate the interplay between tradition and reinvention, often working with ritual objects to understand their role in shaping communal and individual identity. By making these objects myself, I engage with the labor, care, and improvisation embedded in Jewish creative expression.
 

My approach is research-driven and hands-on, informed by historical texts, material archives, and contemporary craft methodologies. I see making as a form of scholarship—one that invites dialogue between the artifact and the maker, between historical continuity and contemporary relevance.
 

Through this work, I aim to illuminate the ways Jewish material culture is both inherited and remade, emphasizing that tradition is not static but an active, evolving process—one that bridges generations through making, memory, and reinterpretation.